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Writer
Candace L.
Publication Okayplayer
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Nicolay's long-distance production mastery is at work again, this
time with The Foundation's Kay, crafting soulful, airy beats as we sit
in on their creative mind meld. A little electric shock couldn't hurt
Kay's 'Average Joe' flow every now and then, but for the majority of
the album the ease in which he rhymes about women, mortality and
everyday life benefits from the lack of bells and whistles. You really
can't be mad at an emcee who picks up a woman at Whole Foods instead of
the strip club and then takes her to see an indie flick, as the story
goes on "Through the Wind." Like Nicolay's previous collaboration on
Connected, the one producer/one artist vibe allows a central voice to
emerge from the album instead of a bunch of random singles. There are a
few guests sprinkled in (Stokley Williams, Oh No, Chip Fu and others)
providing expert contributions that neither fade into the background
nor overwhelm the true stars of the show.
Inspired by Langston Hughes' The Negro Speaks of Rivers, Kay
expresses his desire to have his words flow on forever on "I've Seen
Rivers." On the sentimental "Dancing With the Stars," Kay maintains his
knack for taking the ordinary and subtly turning it into artful thought
as he speaks otherworldly promises to his beloved. He casually weaves
in clever disses against women who aren't quite his type on "Tight
Eyes" when he says, "Knuckle-dragging wildebeest/please get
kinetic/Move/You all in my personal space/Got a bad attitude and you
hurting the face." Where most rappers would have resorted to b*tch
this, slut that, Kay utilizes the novel tools of thinking and writing
skills to pick apart his target. Kay toys with the categorization of an
alt-rapper throughout the album as he takes askew approaches to
familiar themes. "When You Die" doesn't dwell on how his comatose
subject arrived to his deathbed, choosing instead to focus on the
things never said floating through his head as he approaches the end.
Though the reggae-tinged "The Gunshot" feels a little out of place
among the rest of the jazzy, laidback set, the track showcases yet
again the broad musical palette from which Nicolay dips and that Kay
can rhyme over anything. The dexterity these two bring to this album is
a fun, thoughtful listen.
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